Passion = Truth? How Jeffrey James Francis Ircink Sees The World? I love when people are passionate about something. That surging of emotion is the one honest measure of what truth is. It's a truthful display of how a person really feels about something or someone at that particular moment. That passion IS truth.



About me...

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Greendale, Wisconsin, United States
Ex-producer of THE REALLY FUNNY HORNY GOAT INTERNATIONAL SHORT FILM FESTIVAL, playwright, actor, singer, outdoorsman, blogger, amateur photog, observer & bitcher, Beach Boys groupie, Brett Favre fanatic, lover of everything Celtic and forever a member in the Tribe of HAIR. Spent most of my life in the Village of Waterford, a small town just outside of the Milwaukee suburbs. After 12 years in North Hollywood, Bel Air and Culver City, Cali, I moved back to Wisconsin in September 2009. No regrets - of moving to LA OR moving back to WI. Have traveled to Belfast, Ireland, Dayton (OH), Manhattan, Seattle, Cedar Rapids, New York, Miami and Sydney, Australia with my plays. Moved back into the Village of Greendale where I was born. Life is good.

Celtic!

Sunday, April 25, 2010

My favorite still from "The Graduate".

Continuing on with my "Graduate" jag, this is my favorite moment of the film. It begs "what did we just do?" or "what do we do now?" I have this friend in my life that I feel this way about - uncertainty.

What does it mean to you? Kazu Watanbe publishes the blog, Naive Cinema, and he wrote about "The Graduate". Here are his thoughts on the picture above:


The most curious scene for me is the last one in which Benjamin and Elaine get on a bus to escape and sit in the back. The shot duration lasts a little longer than expected and instead of embracing or showing some sign of affection, Benjamin and Elaine sit and do not look at each other, but rather smile slightly. It's an ambiguous image which does not fulfill the romantic notions of their escape nor entirely discredit them. In one sense, it could seem that their riding a public bus reinforces the idea that they are actually not in control after all, but rather are being moved forward by society, which the public city bus could certainly embody, in the same way Benjamin is being moved by the conveyor belt in the airport at the beginning of the film. In another sense, Benjamin's abandonment of his parents' car for the city bus can be seen as his final cutting off (along with the church scene) which finally establishes his removal from his parents' world.

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